Art & Mirrors

- Dimensions: 41.5" x 31.5" x 1.5", framed

- Gesso, acrylic, neocolor on chipboard, framed

- A stunning abstract from Maine-based gallerist, artist, and antiquarian Corey Daniels, this work on paper has been mounted on board and newly framed in painted white.

- A compelling composition comprised of repetitive, abstract markings offset by a grid-like structure. Another original work in the same size is available here.

- Daniels, who opened his Wells, Maine-based studio and gallery in 1993, is known for his discerning eye that juxtaposes patina, texture, and form in both found objects and contemporary art. His work can be found in major collections nationwide.

- Please review our detailed photos. 

- Dimensions: 41.5" x 31.5" x 1.5", framed

- Graphite, acrylic, neocolor on chipboard, framed

- An original work by Maine-based gallerist, artist, and antiquarian Corey Daniels that has been mounted on board and newly framed in painted white.

- A compelling composition comprised of repetitive, abstract markings in a grayscale palette. Another original work in the same size is available here. 

- Daniels, who opened his Wells, Maine-based studio and gallery in 1993, is known for his discerning eye that juxtaposes patina, texture, and form in both found objects and contemporary art. His work can be found in major collections nationwide.

- Please review our detailed photos.

- Dimensions: 24" x 19" framed

- Mixed media collage: paper, graphite, and paint. Framed in oak with UV-resistant plexiglass.

- Sarah Desmarais works in a variety of media including oil paint, collage and gouache. Her compositions are developed slowly, both in the studio and in the landscape, often using collage to play with novel arrangements of pattern, colour and texture. She loves the role of accident, serendipity and happenstance in the making process, considering her materials and surroundings as very active collaborators in the creation of the finished work.

- Sarah trained as a fine art painter at Central School of Art in London, before moving to rural Provence, where she focused on landscape painting, working en plein air and in a variety of media. Over the next ten years in France, her work– initially a figurative response to particular places– became progressively more abstract, and derived from an internal world of dreamlike landscape imagery, often dominated by the sea.

- Sarah now lives in a small town on the south coast of England, where the tides, fishing boats and weathered coastal environment continue to inspire her. She is represented by galleries in the UK and the US. In parallel with her fine art practice, she has pursued an interest in the community arts. In 2016, she gained a PhD from University of the Arts London, funded by the Arts and Humanities Research Council, for research into the therapeutic uses of creative groups, and has facilitated arts-for-health groups in a variety of settings. She was recently a recipient of funding from the Queen Elizabeth Scholarship Fund for a month-long printmaking residency in Venice. Landscape continues to be central to Sarah’s practice as an artist. She makes frequent trips to remote coastal locations in the UK, the US and the Balearic Islands to walk and draw.

- Dimensions: 18.5” x 14.25”

- Gouache on paper, framed in natural wood with UV-resistant plexiglass.

- Sarah Desmarais works in a variety of media including oil paint, collage and gouache. Her compositions are developed slowly, both in the studio and in the landscape, often using collage to play with novel arrangements of pattern, colour and texture. She loves the role of accident, serendipity and happenstance in the making process, considering her materials and surroundings as very active collaborators in the creation of the finished work.

- Sarah trained as a fine art painter at Central School of Art in London, before moving to rural Provence, where she focused on landscape painting, working en plein air and in a variety of media. Over the next ten years in France, her work– initially a figurative response to particular places– became progressively more abstract, and derived from an internal world of dreamlike landscape imagery, often dominated by the sea.

- Sarah now lives in a small town on the south coast of England, where the tides, fishing boats and weathered coastal environment continue to inspire her. She is represented by galleries in the UK and the US. In parallel with her fine art practice, she has pursued an interest in the community arts. In 2016, she gained a PhD from University of the Arts London, funded by the Arts and Humanities Research Council, for research into the therapeutic uses of creative groups, and has facilitated arts-for-health groups in a variety of settings. She was recently a recipient of funding from the Queen Elizabeth Scholarship Fund for a month-long printmaking residency in Venice. Landscape continues to be central to Sarah’s practice as an artist. She makes frequent trips to remote coastal locations in the UK, the US and the Balearic Islands to walk and draw.

- Dimensions: 4.75" x 11.75"

- A charming example of a traditional maritime craft.

- Half hulls were originally created as miniature versions of ships in order to perfect their design. A scale replica would then be mounted by the shipwright onto a board for display.

- This small-scale, vintage piece would be a beautiful accent in a seaside home, study, gallery wall, even above a doorway.

- This piece is in excellent vintage condition, please see our detailed photos.

- Dimensions: 24" x 24" x 1.5"

- Oil on canvas, unframed with painted edges. 

- Beginning on September 7th, Tori Jones Studio will feature a series of deeply personal, mythic oil paintings by Nashville-based artist Noah Saterstrom that speak to the ideas of memory and time. 

- Noah Saterstrom was raised in Mississippi and educated at Scotland’s Glasgow School of Art. His paintings and drawings are in public and private collections worldwide. His museum exhibition “What Became of Dr. Smith” at the Mississippi Museum of Art was featured in The New York Times (2024). Saterstrom has held residencies at HRH Prince Charles’s Holyrood Palace in Edinburgh, Scotland; Morris and Spottiswood in Glasgow, Scotland; and the Virginia Center for Creative Arts in Amherst, Virginia. Saterstrom’s work has been covered in the Wall Street Journal and he was formerly a regular contributor to Nashville Arts Magazine. His painting Maeve is the cover of Ann Patchett’s book The Dutch House (Harper Collins, 2019). Throughout the pandemic Saterstrom participated in the Artist Support Pledge on Instagram, generating funds for fellow artists and developing a global following of collectors and fans. He lives in Nashville with his wife and three kids. 

- Dimensions: 20" x 20" x 1.5"

- Oil on canvas, unframed with painted edges. 

- Beginning on September 7th, Tori Jones Studio will feature a series of deeply personal, mythic oil paintings by Nashville-based artist Noah Saterstrom that speak to the ideas of memory and time. 

- Noah Saterstrom was raised in Mississippi and educated at Scotland’s Glasgow School of Art. His paintings and drawings are in public and private collections worldwide. His museum exhibition “What Became of Dr. Smith” at the Mississippi Museum of Art was featured in The New York Times (2024). Saterstrom has held residencies at HRH Prince Charles’s Holyrood Palace in Edinburgh, Scotland; Morris and Spottiswood in Glasgow, Scotland; and the Virginia Center for Creative Arts in Amherst, Virginia. Saterstrom’s work has been covered in the Wall Street Journal and he was formerly a regular contributor to Nashville Arts Magazine. His painting Maeve is the cover of Ann Patchett’s book The Dutch House (Harper Collins, 2019). Throughout the pandemic Saterstrom participated in the Artist Support Pledge on Instagram, generating funds for fellow artists and developing a global following of collectors and fans. He lives in Nashville with his wife and three kids. 

- Dimensions: 9.5" x 13", unframed

- Discovered in France, this vibrant abstract oil painting has a rich, textural feel thanks to its thick palette knife application. The piece dates to the 1960's.

- Pair this with its complement (most likely by the same artist), add it as a graphic counterpoint on a gallery wall, or let its bold colors stand alone.

- This vintage piece is unsigned and in good condition. It features charming rustic nails along its unframed canvas edges. Please see our detailed photos.

- Dimensions: 9" x 11", unframed

- Discovered in France, this vibrant abstract oil painting has a rich, textural feel thanks to its thick palette knife application. The piece dates to the 1960's.

- Pair this with its complement (most likely by the same artist), add it as a graphic counterpoint on a gallery wall, or let its bold colors stand alone.

- A previous owner has added 3 faces in the top right of the work, a playful and charming addition.

- This vintage piece is unsigned and in good condition. It features charming rustic nails along its unframed canvas edges. Please see our detailed photos.