Art & Mirrors

- Dimensions: 13.25" x 16" x 1"

- This collection of black and white boating photographs from the 1940's are airy and full of motion, just like a day on the water.

- Graphic and clean, they have been newly matted and framed in a minimal white steel, making it easy to mix these prints with a variety of styles.

- Photographs are in good vintage condition; mats and frames are new. Please see our detailed photos.

- Dimensions: 14.5" high x 23.5" wide x 4.5" deep

- An exquisite sailboat diorama from the early 1900's.

- Entirely handmade with beautifully carved sails.

- This item is in very good vintage condition, with small chips to its outer wood frame and minor cracks in its background. Please see our detailed photos.

- Dimensions: 6" x 25"

- A simple, streamlined half hull in a rich wood finish.

- A great addition to a grouping or a narrow wall.

- This piece is in very good vintage condition with some wear on its lower right corner. Please see our detailed photos.

- Dimensions: 16.5" x 15" x 2"

- A fantastic wooden assemblage in glossy black paint, in the style of famed American sculptor Louise Nevelson.

- A dynamic collection of geometric forms housed in a wood frame.

- Comes with a wire on the back for wall hanging or display it on a tabletop.

- Unsigned.

- This piece is in good vintage condition with minor surface wear throughout. Please see our detailed photos.

- Dimensions: 23.25" x 31" x 3"

- We paired this dream-like abstract serigraph by the late Paul Chidlaw with a luminous 19th-century silver leaf frame for an ethereal effect. We think it makes for a sophisticated combination of modern and antique. And with two wires on the back, you can hang this piece either horizontally or vertically.

- A student at L'École des Beaux Arts in Fontainebleau during the 1920's, Paul Chidlaw had a varied and prolific career in the art world. He painted commissions for the WPA, became a revered professor at the Art Academy of Cincinnati and mentored luminaries like Tom Wesselmann and Jim Dine. He was also an early proponent of Abstract Expressionism.

- Dimensions: 13.25" x 11.25" x 1"

- Gouache on paper. Floated and housed in an antique 19th-century gilt frame with UV-protectant plexiglass.

- A graduate of Chelsea College of Art, Sarah Raphael-Balme's paintings explore rich pattern and jewel-like color. Working mainly in oil or gouache, her pieces range from whimsical still life compositions to atmospheric interiors, imaginary landscapes and dreamlike gardens, to enchanting portraits of fictional characters and animals.

- Her work has been published by BBC, IPC, Condé Nast and Heineman. Exhibitions include Elizabeth Street Gallery, AG Gallery NYC, AK Bellinger Gallery, Partisan, Josie Eastwood, Zillah Bell, Fieldwork London, Lotte Inch, Northern Eye, Churchgate Gallery, The Edition Shop, Marlow Gallery, Lingwood Samuel, House of Hackney and The Shop Floor Project.

- She lives in York, England.

- Dimensions: 12.25" x 15.75"

- Ink and watercolor on handmade, all cotton Indian paper. 

- Floated and framed in natural maple with UV-protectant plexiglass.

- David Coggins is an award-winning writer, artist and set designer. His paintings, drawings and collages have been exhibited in Paris, London and Santiago, Chile as well as in U.S. galleries. Most recently, he is the author of two illustrated memoirs: Paris in Winter and Blue. Other books include The Nostalgic Heart, a travel memoir that received an Independent Publisher Book Award, and Eden Summer Collages, an illustrated nature diary. His eight-volume set The Daybooks, published under the pseudonym Robert Carolina, is in the permanent collection of the Minneapolis Institute of Art. Coggins has designed for a number of U.S. theaters, including Théâtre de la Jeune Lune, Guthrie Theater and La Jolla Theater. His set for “The Deception" was chosen for “From the Edge," a U.S. exhibition on performance design that toured New York, Prague, and Moscow. He lives in Minneapolis.