Oils & Drawings

We love the graceful lines of this elegant figure drawing by Rolando Rosler. Rendered in expressive pastel and gorgeously framed in 19th-century silver leaf, it has a serene, intimate presence. The work would lend an ethereal beauty to any space. 

Housed in a 19th-century American gilt frame, this pencil drawing by Czech-American artist Jan Matulka has an elegant simplicity. We framed it with museum plexiglass so you can appreciate the subtle shading and clean lines without glare. We see this beauty in modern and traditional interiors alike.

We love the daring, vivid shades of turquoise, citron and carnelian in this still life oil sketch by the late Paul Chidlaw. With a palette like this and a loose, gestural hand, the artist imbues classic still life composition with fresh energy and a playful point of view. We matted this piece and framed it simply in natural wood. We think it's a total scene-stealer.

A student at L'École des Beaux Arts in Fontainebleau during the 1920's, Paul Chidlaw had a varied and prolific career in the art world. He painted commissions for the WPA, became a revered professor at the Art Academy of Cincinnati and mentored luminaries like Tom Wesselmann and Jim Dine. He was also an early proponent of Abstract Expressionism. Chidlaw passed away in 1989. 

Late Ohio-based artist Paul Chidlaw enlivens classic still life with a modern palette and a loose, gestural hand. Taken from the pages of a notebook, we matted this oil sketch on paper and framed it in simple white. It's expressive, eye-catching and completely timeless.

A student at L'École des Beaux Arts in Fontainebleau during the 1920's, Paul Chidlaw had a varied and prolific career in the art world. He painted commissions for the WPA, became a revered professor at the Art Academy of Cincinnati and mentored luminaries like Tom Wesselmann and Jim Dine. He was also an early proponent of Abstract Expressionism. Chidlaw passed away in 1989.

A playful tableau of bold colors and shapes, this original oil by late midwestern artist Paul Chidlaw would brighten up any setting. This work on paper is taken from one of the artist's sketchbooks and has two hole punches along its top edge. It also has small losses on its lower left corner and minor tearing in the lower area painted in dark green. Float the piece in a frame to appreciate its imperfections or overmat it for a cleaner look. It's marked on the back with the artist's estate stamp.

A student at L'École des Beaux Arts in Fontainebleau during the 1920's, Paul Chidlaw had a varied and prolific career in the art world. He painted commissions for the WPA, became a revered professor at the Art Academy of Cincinnati and mentored luminaries like Tom Wesselmann and Jim Dine. He was also an early proponent of Abstract Expressionism. Chidlaw passed away in 1989.

A preliminary study for a still life composition, this oil sketch on paper by the late Paul Chidlaw features the artist's handwritten notes on light, color and form. It's rendered in a vibrant palette with lively brushstrokes that would wake up any wall. Taken from the pages of a notebook, this work has two hole punches on its left edge. Float the piece in a frame to appreciate its imperfections or overmat it for a cleaner look. It's marked on the back with the artist's estate stamp.

A student at L'École des Beaux Arts in Fontainebleau during the 1920's, Paul Chidlaw had a varied and prolific career in the art world. He painted commissions for the WPA, became a revered professor at the Art Academy of Cincinnati and mentored luminaries like Tom Wesselmann and Jim Dine. He was also an early proponent of Abstract Expressionism. Chidlaw passed away in 1989.

In this oil sketch, the late Paul Chidlaw uses a rich palette and rapid hand to work out ideas for a still life composition. Taken from one of the artist's notebooks, this piece has two hole punches along its top edge. Float the sketch in a frame to appreciate its imperfections or overmat it for a cleaner look. It's marked on the back with the artist's estate stamp.

A student at L'École des Beaux Arts in Fontainebleau during the 1920's, Paul Chidlaw had a varied and prolific career in the art world. He painted commissions for the WPA, became a revered professor at the Art Academy of Cincinnati and mentored luminaries like Tom Wesselmann and Jim Dine. He was also an early proponent of Abstract Expressionism. Chidlaw passed away in 1989.

With its patches of color and gestural brushstrokes, this oil sketch on paper by the late Paul Chidlaw illustrates a preliminary, abstract study for a still life composition. The artist's hand and thought process are evident in the loose, expressive brushwork and free-form shapes. Taken from the pages of a notebook, this piece has two hole punches on its left edge. Float the work in a frame to appreciate its imperfections or overmat it for a cleaner look. It's marked on the back with the artist's estate stamp.

A student at L'École des Beaux Arts in Fontainebleau during the 1920's, Paul Chidlaw had a varied and prolific career in the art world. He painted commissions for the WPA, became a revered professor at the Art Academy of Cincinnati and mentored luminaries like Tom Wesselmann and Jim Dine. He was also an early proponent of Abstract Expressionism. Chidlaw passed away in 1989.

A playful mix of simple forms and bright hues, this original oil sketch by the late Paul Childaw would bring a pop of color to a gallery wall. It's taken from one of the artist's notebooks and has two hole punches on its left edge along with a smaller diagram in pencil on its lower right corner. Float the sketch in a frame to appreciate its imperfections or overmat it for a cleaner look. It's marked on the back with the artist's estate stamp.

A student at L'École des Beaux Arts in Fontainebleau during the 1920's, Paul Chidlaw had a varied and prolific career in the art world. He painted commissions for the WPA, became a revered professor at the Art Academy of Cincinnati and mentored luminaries like Tom Wesselmann and Jim Dine. He was also an early proponent of Abstract Expressionism. Chidlaw passed away in 1989.

An early proponent of Abstract Expressionism, the work of late midwestern artist Paul Chidlaw is characterized by dynamism, energy and spontaneity. This abstract oil on paper has those qualities in spades.

A student at L'École des Beaux Arts in Fontainebleau during the 1920's, Paul Chidlaw had a varied and prolific career in the art world. He painted commissions for the WPA, became a revered professor at the Art Academy of Cincinnati and mentored luminaries like Tom Wesselmann and Jim Dine. This original piece is marked on the back with the artist's estate stamp.

A sign of hopefulness and peace, this mixed media study of a single dove by the late Paul Chidlaw would be a welcome addition to any gallery wall or tablescape.

A student at L'École des Beaux Arts in Fontainebleau during the 1920's, Paul Chidlaw had a varied and prolific career in the art world. He painted commissions for the WPA, became a revered professor at the Art Academy of Cincinnati and mentored luminaries like Tom Wesselmann and Jim Dine. He was also an early proponent of Abstract Expressionism. Chidlaw passed away in 1989.

A luminous highlight on a brass candlestick speaks to the subtle beauty and poetry that can be found in everyday objects. This charcoal and pencil drawing is from a collection of tender still life works that dates from the 1870's. Lovingly rendered and framed in beautifully aged gilt, this jewel-like piece can stand on its own or work well with the other drawings from this series.

This authentic gilt frame has nicks and scratches consistent with age and use. These imperfections are part of the piece's inherent beauty. There is also a small tear at the top of this drawing. Please see our detailed photos.

Tender. Poetic. Charming. This drawing of a child's shoe speaks to the beauty that can be found in commonplace, often overlooked, everyday objects. Its folds, highlights and shadows are lovingly rendered in pencil and charcoal, which contrasts beautifully with the 19th-century American gilt frame. This work is from a still life series that dates from the 1870's, the artist is unknown. It would make a quiet yet impactful statement on its own or look lovely grouped with the other pieces from this collection.

This artwork was originally signed (though the artist's name is difficult to read) and dated (1878). The signature was partially torn so we've added it to the back of the piece where it's secured in a plastic sleeve. This authentic gilt frame has nicks and scratches, which are part of its inherent beauty. Please see our detailed photos.

Rich shadows, luminous highlights and a dark background lend gravitas to this charcoal drawing of a simple leaf. This work is from a collection that dates from the 1870's, the artist is unknown. We framed it in 19th-century gilt, which contrasts beautifully with the work's moody palette.

This authentic gilt frame has nicks and scratches consistent with age and use. These imperfections are part of the piece's inherent beauty. Please see our detailed photos.

Housed in a stenciled antique gilt frame, this drawing of a simple chamberstick is pure poetry. We love its shadows, highlights and dark palette. This piece is from a collection of charcoal and pencil still life drawings that date from the 1870's, the artist is unknown. Charming on its own, this work is also lovely grouped with the other drawings from this series.

This authentic gilt frame has nicks and scratches consistent with age and use. These imperfections are part of the piece's inherent beauty. Please see our detailed photos.

In graphite and soft pastel, this life drawing by British artist Marion Archer is intimate and serene. We've paired it with natural linen matting and an elegantly distressed frame.