What's New

- Dimensions: 7" wide x 5.25" high x 4.75" base diameter

- Originally used for milk, this richly-colored jaspé pitcher was made by hand in Savoie, France during the 18th century. This piece features the earthen colors synonymous with the jaspé glazing technique, which is characterized by marbled swirls.

- A true example of utilitarian art, we love using these pieces as vessels for wildflowers (we recommend using a liner), paintbrushes, or kitchen utensils.

- This pitcher is in very good antique condition, showing signs of wear consistent with age and use, including chips and losses. Please see our detailed photos.

- Dimensions: 28" high x 24.5" wide x 17" deep

- Turned legs, a unique trapezoid-shaped top, and a beautiful patina: this 18th-century Italian table is all you need to anchor an entryway or serve as a gorgeous side table to modern or traditional elements.

- Two small drawers on its front pull out into flat surfaces.

- This piece is in very good vintage condition, showing signs of wear consistent with age and use. Its right-facing drawer is harder to pull open. Please see our detailed photos.

- Dimensions: 18.5” x 14.25”

- Gouache on paper, framed in natural wood with UV-resistant plexiglass. 

- Sarah Desmarais trained as a fine art painter at Central School of Art in London, before moving in the 1990s to rural Provence, where she focused on landscape painting, working en plein air and in a variety of media including oil paint, watercolor, collage and etching. Over the next ten years, her work— initially a figurative response to particular places, became progressively more abstract, and derived from an internal world of dreamlike landscape imagery.

After a decade in France, Sarah returned to the UK, and has continued to show her work in London and Paris. In parallel with her fine art practice, she has pursued an interest in the community arts. In 2016, she gained a PhD from University of the Arts London, funded by the Arts and Humanities Research Council, for research into the therapeutic uses of creative groups. She was recently a recipient of funding from the Queen Elizabeth Scholarship Fund. Other recent projects include diverse community-based arts-for-health initiatives, a post-doctoral research post with the National Alliance for Museums, Health and Wellbeing at University College London, and funded residencies with Bow Arts, the Museum of Domestic Design and Architecture at Middlesex University, and Climate Art UK. She currently supervises post-graduate research as a visiting lecturer at the Royal College of Art, London.

Landscape continues to be central to Sarah’s practice as a painter. She makes frequent trips to remote coastal locations in the UK and the Mediterranean to walk and draw, working regularly as artist in residence at Ventnor Botanic Garden on the southern coast of the Isle of Wight. She currently lives between London and Rye, a medieval citadel on the south coast of England, where the tides, fishing boats and weathered coastal environment continue to inspire her.

- Dimensions: 16.5" high x 21" wide x 6" base diamater

- All the flair and punch of a leafy potted plant, no green thumb required. We love this whimsical paper plant, with its spiky leaves, mossy base, and paint-weathered terracotta planter. It’s a fun accent in a bedroom or kitchen, or even a vacation home, where its low-maintenance lifestyle ensures it will remain evergreen year after year.

- This piece is in very good vintage condition, please see our detailed photos.

- Dimensions: 18.5” x 14.25”

- Gouache on paper, framed in natural wood with UV-resistant plexiglass. 

- Sarah Desmarais trained as a fine art painter at Central School of Art in London, before moving in the 1990s to rural Provence, where she focused on landscape painting, working en plein air and in a variety of media including oil paint, watercolor, collage and etching. Over the next ten years, her work— initially a figurative response to particular places, became progressively more abstract, and derived from an internal world of dreamlike landscape imagery.

After a decade in France, Sarah returned to the UK, and has continued to show her work in London and Paris. In parallel with her fine art practice, she has pursued an interest in the community arts. In 2016, she gained a PhD from University of the Arts London, funded by the Arts and Humanities Research Council, for research into the therapeutic uses of creative groups. She was recently a recipient of funding from the Queen Elizabeth Scholarship Fund. Other recent projects include diverse community-based arts-for-health initiatives, a post-doctoral research post with the National Alliance for Museums, Health and Wellbeing at University College London, and funded residencies with Bow Arts, the Museum of Domestic Design and Architecture at Middlesex University, and Climate Art UK. She currently supervises post-graduate research as a visiting lecturer at the Royal College of Art, London.

Landscape continues to be central to Sarah’s practice as a painter. She makes frequent trips to remote coastal locations in the UK and the Mediterranean to walk and draw, working regularly as artist in residence at Ventnor Botanic Garden on the southern coast of the Isle of Wight. She currently lives between London and Rye, a medieval citadel on the south coast of England, where the tides, fishing boats and weathered coastal environment continue to inspire her.

- Dimensions: 35.25" diameter x 35" high

- What’s better than a portable statement piece? This French bamboo table dates to the late 19th century and is fully foldable, making it easy move the center of attention from the living room to the porch, or wherever the party happens to be. It's also gorgeous enough to be a permanent fixture in any setting. Use it to warm up a blank corner, styled with a collection of your favorite books and objet.

- This piece has a beautiful warm finish with a nearly tortoise shell-like effect. Transitional in every sense of the word, this piece can go from preppy coastal retreat to sleek modern pad to sumptuous chinoiserie abode.

- This antique piece is in very good vintage condition with signs of wear consistent with age and use. Its reeded bamboo tabletop has some undulation. Please see our detailed photos.

- Dimensions: 7" wide x 6" high x 4" base diameter

- This gorgeous jaspé pitcher was made by hand in Alsace, France between 1820-1830. This piece features a rare palette of inky blacks, blues, and grays in the jaspé glazing technique, which is characterized by marbled swirls.

- A true example of utilitarian art, we love using these pieces as vessels for wildflowers (we recommend using a liner), paintbrushes, or kitchen utensils.

- This pitcher is in very good antique condition, showing signs of wear consistent with age and use, including chips and losses. Please see our detailed photos.

- Dimensions: 87" x 71"

- This quilt's graphic schoolhouse pattern is offset by a striking palette of cobalt calico against a background of crisp white hand-stitching. In a rare circumstance, this quilt’s maker has remained attached to this piece, including her signature on its back side. This piece was made by hand by Kaleta Livesay, born in 1921.

- The American schoolhouse quilt pattern first appeared in the late nineteenth century, depicting a building that was central to the community and represented one of the first major sources of livelihood for women.

- Part of a quilt’s inherent beauty is its heirloom nature. Most quilts in our collection were created by hand over a century ago. These pieces were made to be handed down, kept in the family, cozied up with by generation after generation. We can't think of a better gift for a loved one. These are the heirlooms of tomorrow, broken in to perfection.

- This intricate quilt is in excellent vintage condition. There is some variation to the cobalt fabrics. Please see our detailed photos.

- This is a vintage and pre-loved item. Please review our detailed photos and kindly note that this quilt is sold as-is.

- Dimensions: 
42.5” high x 22.5” wide x 20.5” deep
17.25” seat height

- A stunning example of early American design, this antique Windsor chair is pure sculpture in a gorgeous, moody shade of blue. 

- Features a braced comb back, turned legs, and a comfortable seat that is gently shaped to cradle the sitter. This piece isn't just for traditional interiors, its elegant silhouette and beautiful, original paint would complement modern spaces too. 

- This piece is in good vintage condition, showing signs of wear consistent with age and use. There is a slight wobble at the very top of the piece.  Please see our detailed photos.

- Dimensions: 5" wide x 3.5" high x 3.5" base diameter

- This petite jaspé pitcher was made by hand in Alsace, France during the 19th century. This piece features the earthen colors synonymous with the jaspé glazing technique, which is characterized by marbled swirls.

- A true example of utilitarian art, we love using these pieces as vessels for wildflowers (we recommend using a liner), paintbrushes, or kitchen utensils.

- This pitcher is in very good antique condition, showing signs of wear consistent with age and use, including chips and losses. Please see our detailed photos.

- Dimensions: 13” x 14.75” x 1.25”

- Collage housed in an antique 19th-century gilt frame with UV-protectant plexiglass.

- Sarah Desmarais trained as a fine art painter at Central School of Art in London, before moving in the 1990s to rural Provence, where she focused on landscape painting, working en plein air and in a variety of media including oil paint, watercolor, collage and etching. Over the next ten years, her work— initially a figurative response to particular places, became progressively more abstract, and derived from an internal world of dreamlike landscape imagery.

After a decade in France, Sarah returned to the UK, and has continued to show her work in London and Paris. In parallel with her fine art practice, she has pursued an interest in the community arts. In 2016, she gained a PhD from University of the Arts London, funded by the Arts and Humanities Research Council, for research into the therapeutic uses of creative groups. She was recently a recipient of funding from the Queen Elizabeth Scholarship Fund. Other recent projects include diverse community-based arts-for-health initiatives, a post-doctoral research post with the National Alliance for Museums, Health and Wellbeing at University College London, and funded residencies with Bow Arts, the Museum of Domestic Design and Architecture at Middlesex University, and Climate Art UK. She currently supervises post-graduate research as a visiting lecturer at the Royal College of Art, London.

Landscape continues to be central to Sarah’s practice as a painter. She makes frequent trips to remote coastal locations in the UK and the Mediterranean to walk and draw, working regularly as artist in residence at Ventnor Botanic Garden on the southern coast of the Isle of Wight. She currently lives between London and Rye, a medieval citadel on the south coast of England, where the tides, fishing boats and weathered coastal environment continue to inspire her.

- Dimensions: 18.5” x 14.25”

- Gouache on paper, framed in natural wood with UV-resistant plexiglass. 

- Sarah Desmarais trained as a fine art painter at Central School of Art in London, before moving in the 1990s to rural Provence, where she focused on landscape painting, working en plein air and in a variety of media including oil paint, watercolor, collage and etching. Over the next ten years, her work— initially a figurative response to particular places, became progressively more abstract, and derived from an internal world of dreamlike landscape imagery.

After a decade in France, Sarah returned to the UK, and has continued to show her work in London and Paris. In parallel with her fine art practice, she has pursued an interest in the community arts. In 2016, she gained a PhD from University of the Arts London, funded by the Arts and Humanities Research Council, for research into the therapeutic uses of creative groups. She was recently a recipient of funding from the Queen Elizabeth Scholarship Fund. Other recent projects include diverse community-based arts-for-health initiatives, a post-doctoral research post with the National Alliance for Museums, Health and Wellbeing at University College London, and funded residencies with Bow Arts, the Museum of Domestic Design and Architecture at Middlesex University, and Climate Art UK. She currently supervises post-graduate research as a visiting lecturer at the Royal College of Art, London.

Landscape continues to be central to Sarah’s practice as a painter. She makes frequent trips to remote coastal locations in the UK and the Mediterranean to walk and draw, working regularly as artist in residence at Ventnor Botanic Garden on the southern coast of the Isle of Wight. She currently lives between London and Rye, a medieval citadel on the south coast of England, where the tides, fishing boats and weathered coastal environment continue to inspire her.

- Dimensions: 13” x 14.75” x 1.25”

- Collage housed in an antique 19th-century gilt frame with UV-protectant plexiglass.

- Sarah Desmarais trained as a fine art painter at Central School of Art in London, before moving in the 1990s to rural Provence, where she focused on landscape painting, working en plein air and in a variety of media including oil paint, watercolor, collage and etching. Over the next ten years, her work— initially a figurative response to particular places, became progressively more abstract, and derived from an internal world of dreamlike landscape imagery.

After a decade in France, Sarah returned to the UK, and has continued to show her work in London and Paris. In parallel with her fine art practice, she has pursued an interest in the community arts. In 2016, she gained a PhD from University of the Arts London, funded by the Arts and Humanities Research Council, for research into the therapeutic uses of creative groups. She was recently a recipient of funding from the Queen Elizabeth Scholarship Fund. Other recent projects include diverse community-based arts-for-health initiatives, a post-doctoral research post with the National Alliance for Museums, Health and Wellbeing at University College London, and funded residencies with Bow Arts, the Museum of Domestic Design and Architecture at Middlesex University, and Climate Art UK. She currently supervises post-graduate research as a visiting lecturer at the Royal College of Art, London.

Landscape continues to be central to Sarah’s practice as a painter. She makes frequent trips to remote coastal locations in the UK and the Mediterranean to walk and draw, working regularly as artist in residence at Ventnor Botanic Garden on the southern coast of the Isle of Wight. She currently lives between London and Rye, a medieval citadel on the south coast of England, where the tides, fishing boats and weathered coastal environment continue to inspire her.

- Dimensions: 6" high x 6.5" wide x 3.75" base diameter

- Originally used for milk, this jaspé pitcher was made by hand in Alsace, France during the 19th century. This piece features a hand-pressed handle and the earthen colors synonymous with the jaspé glazing technique, which is characterized by marbled swirls.

- A true example of utilitarian art, we love using these pieces as vessels for wildflowers (we recommend using a liner), paintbrushes, or kitchen utensils.

- This pitcher is in very good antique condition, showing signs of wear consistent with age and use, including chips and losses. Please see our detailed photos.

- Dimensions: 5.5" wide x 4" high x 2" base diameter

- Originally used for cream, this petite jaspé pitcher was made by hand in Savoie, France during the 19th century. This piece features the earthen colors synonymous with the jaspé glazing technique, which is characterized by marbled swirls.

- This piece also features a hand-painted flower motif beneath its spout.

- A true example of utilitarian art, we love using these pieces as vessels for wildflowers (we recommend using a liner), paintbrushes, or kitchen utensils.

- This pitcher is in very good antique condition, showing signs of wear consistent with age and use, including chips and losses. Please see our detailed photos.

- Dimensions: 5" high x 6.5" wide x 3" base diameter

- Originally used for milk, this jaspé pitcher was made by hand in France during the late 18th century. This piece features the earthen colors synonymous with the jaspé glazing technique, which is characterized by marbled swirls.

- A true example of utilitarian art, we love using these pieces as vessels for wildflowers (we recommend using a liner), paintbrushes, or kitchen utensils.

- This pitcher is in good antique condition, showing signs of wear consistent with age and use, including chips and losses. Please see our detailed photos.